拉斐尔 (意大利语：Raffaello Sanzio) 《佛利諾的圣母》

ngsunyu

佛利諾的圣母 (意大利语：Madonna di Foligno），1511年~1512年，收藏於梵諦岡美術館。
我认为是2012年最佳的梵諦岡三联戳, 纪念这幅画 500年。

ngsunyu

The painting was executed for Sigismondo de' Conti (孔蒂), chamberlain to Pope Julius II, in 1511. It was placed on a high altar of the church of Santa Maria in Aracoeli on Capitoline Hill (Italian: Campidoglio) in Rome, where Sigismondo was buried in 1512. It was moved by Anna Conti, a descendent of Sigismondi Conti, to the monastery of St. Anne in Foligno in 1565 and remained there for more than two centuries, hence the name. In 1799 it was carried to Paris, France by Napoleon. In 1815, after the Battle of Waterloo, it was returned to Italy, where it was placed in the room with the Transfiguration in the Pinacoteca Vaticana of the Vatican Museum in the Vatican City.  2009年，我参观梵諦岡美術館。允许摄影。

The painting is a sacra conversazione, where holy figures seem to be in conversation and draw the audience into their discussion. Rather than sitting under a canopy, of the Umbrian or Florentine style, the Virgin is seated on clouds, embracing Jesus, while surrounded by angels. They look down upon Sigismonde de' Conti, kneeling in a red, fur lined cape. Conti is presented by St. Jerome (天主教譯圣熱羅尼莫或圣葉理諾) on the right with his lion, appealing for the Virgin's protection. On the left are the kneeling St. Francis of Assisi (亞西西的圣方濟各) and St. John the Baptist (施洗者圣約翰), who is standing and wearing a tunic of skins. As St. John points to Jesus, he clearly looks out to us, pulling us in, while St. Francis points to us and looks at the Christ Child. Between the men is an angel, linking the saints of earth to the seraph host of heaven. Behind them are the towers of Foligno. (http://en.wikipedia.org/wiki/Madonna_of_Foligno_(Raphael)

ngsunyu

小型张极限片。遵守FIP规则 小型张邮票不得超过明信片的四分之一。