荷兰个性化邮票上的 文森·梵谷（荷兰語：Vincent van Gogh) 名画

ngsunyu

上一层都是我的荷兰朋友自制的。只有一枚不是梵谷的画。
保羅·高更（Paul Gauguin) 的《梵谷画向日葵》 1888年，收藏於梵谷博物館。
Van Gogh Painting Sunflowers。
法語：Vincent Van Gogh peignant les tournesols 。
荷兰語：Portret van Van Gogh, zonnebloemen schilderend。
Here, Gauguin depicts his friend painting sunflowers. It is impossible, however, that he actually saw Van Gogh at work on this particular project, since when Gauguin painted this portrait no sunflowers were in bloom. But this was not a problem for Gauguin. Unlike Van Gogh, who nearly always based his work on direct observation, Gauguin relied more on memory and imagination in the creation of his canvases. (http://www.vangoghmuseum.nl/vgm/index.jsp?page=3973&lang=en)

ngsunyu

梵谷向日葵（F.459), 第二版。私人收藏。 毁于战火。

ngsunyu

《1887年的自画像》 1887年，收藏於梵谷博物館。
Self-Portrait 1887,
法語：Autoportrait 1887,
荷兰語：Zelfportret, 1887.
Van Gogh painted a total of some 35 self-portraits during the course of his career. Of these, about 29 date from Paris. He very much wanted to paint portraits in this period, but could not afford models. Using his own reflection was a natural, inexpensive and easy solution. It allowed him to experiment with various styles, techniques and effects of light and color. Most of the Parisian self-portraits are rather smal. They were clearly meant as studies and as experiments. This can be seen in the loose, very free manner in which many are executed, and in the use of cheap materials such as cardboard in place of linen or canvas. (http://www.vangoghmuseum.nl/vgm/ ... on=1285&lang=en)

ngsunyu

《1887年的自画像》 1887年，收藏於梵谷博物館。
Self-Portrait 1887,
法語：Autoportrait 1887,
荷兰語：Zelfportret, 1887.
《1887年的自画像》的背面是为《吃馬鈴薯的人》的准备习作《荷兰語：Studie voor De aardappeleters》。